Gyan Darpan: padmin

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Showing posts with label padmin. Show all posts
Showing posts with label padmin. Show all posts

Lt.Col James Tod wrote wrong about Rani Padmini

5/15/2015 0
Every historian and Indian known that Rani Padmini was wife of Rawal Ratan Singh of Chittaur. But Lt.Col James Tod (a highly respected authority on the history of Rajputana) write in his history book “Annals and Antiquities of Rajasthan” that Padmini was wife of Bhimsi. As per Lt. Col James Tod – “ Lakumsi was minor when he ascended the gadi in 1274, and Bhimsi, his uncle, acted as regent and protector. Bhimsi had married a Chohan princess, by name Padmini, who was of surpassing beauty . Indeed, if her charms were inferior to those of the heroine of Troy, they were not less fatal in their consequences; for, according to the bard chroniclers, it was the desire to possess this peerless princess, rather than the acquisition of military fame, which prompted Allah-ud-din to attack Chitor”.
B.K.Karkara the writer of “Rani Padmini : The Herione of Chittor” write in his above said book on Lt.Col. James Tod’s view. As per Karkara – “ The question now is as to who occupied this high pedestal of Hinduism when Alauddin left Siri to attack Chittor on 28 January, 1303. There is now hardly and doubt that Rawal Ratan Singh was the ruler of Chittor, he was her husband. However, we find Lt. Col. James Tod (a highly respected authority on the history of Rajputana) talking in terms of one Bhim Singh being the husband of Padmini and Lakshman Singh as the rular of Chittor at the time of the Alauddin’s attack. Obviously, Tod had been fed this information by the bard who often said what cheir patron wanted to hear.
K.R.Qanungo, a modern scholar, has further confounded the confusion by asserting that there were four rulers by the name of Ratan Singh who were in some way or the other involved in the fight against Alauddin. According to him, they are the following:

1. Ratan Singh, son of Rawal samar Singh of Chittor.
2. Ratan Singh, son of Chitrasena and husband of Padmini as per the Padmawat story.
3. rattan Singh, son of the Dhundhar chief, Khema who died protecting the lower town of Chittor.
4. Ratan Singh, son of Hamir Dev Chauhan who moved to Chittor after the fall of Ranthambhor.
The learned historian has suggested that Ratan Singh of Jayasi’s Padmawat was not the ruler of Chitrakuta or Chittor, the capital town of Mewar, but the ruler of a place in Banda district of Uttar Pradesh having the same name. On going through Padmawat a little more carefully would leave nobody in doubt that none other than Rawal Ratan Singh of Mewar fits into the Jayasi’s description of places, persons and event. The ruler of the nondescript Chitrakuta of Uttar Pradesh could hardly be referred to as the leading light of the Hindus, as Jayasi makes out his hero to be. Beside, jayasi’s Chittor is a neighbouring principality of Kumbhalgarh while Banda is hundreds of miles away.
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Where was Rani Padmini of Chittor born?

8/30/2013 0
Padmin permeates our national consciousness as an iconic figure with immortal legancy. She emerges as a brave and worthly individual, capable of meticulous planning and flawless execution. She was also an extraordinarily brave, wise and virtuous women. The confluence of beauty, bravery, wisdom and virtue in the persona of one individual is, indeed, a very rare phenomenon.

No mutch known about Padmin’s family bachground and even the place where she came from as a bride into the ruling family of Mewar. However, she has been repeatedly mentioned in the Hindi literture as a relation of Gora and Badal who were Chauhans and have a haveli to their name in the fort of Chittor. Gora was supposed to be her uncle and Badal, the son of Gajanan, her cousin. Further detail of this relationship are not known. The earliest refernce to Padmini, to our present state of knowledge, is contained in Chhitai Charitra composed in AD 1526. This, however, is just a passing refernce, devoid of any detail about her.

As already brought out, the seas in those times were held in graet awe and their crossing, a big adventure. Thus, Jayasi, Hem Ratan, Labdhodaya and other who have composed works relating to Padmin have chosen to make her a Ceylonse Princess. Their idea was to lend touch of high adventure and drama to their romantic scripts and give Ratan singh, their hero, the image of dashing young prince. We have to keep in mind that all of them were poets out to catch the popular imagination and not proper historians by any chance. Every world of theirs is not supposed to be history. They have, indeed, built quite a few frills and fancies around their narration which need to be carefully separated to get at the historic reality that we are after.

According to Jayasi, Padmin was the daughter of King Gandharva Sen of Ceylon, and Rawal Ratan Singh went all the way to the Island seeking her hand. It took him eight long year to win her in marriage and bring her to Chittor to the great delight of his subjects. A number of other Hindi works on Padmini from the sixteenth century onward like the Gora Badal kavit by an anonymous writer, Gora Badal Padmini Choupai by Hem Ratan, Gora Badal Choupai by Jatmal Nahar, Padmini Charitra Choupai by Labdhodaya and khoman Raso by Daulat Vijay all insist that Padmini came from the Royal family of Singhaldeep,i.e. Celyon or Shri Lanka. Taking them seriously the, the royal family of Udaipur is believed to have invited a delegation from Shri Lanka to examine their antique ancestal ornaments. None of these could be eastablished to be of the Shri Lankan origin. The Celyonese connetion of Padmini is, therefore, highly improbable. Because Rana Ratan Singh had no time on hand for the Island adventure due to war cloud those time.

Col. Tod started compiling his Annals and Antiquities of Rajasthan in 1806 and completed 1829. Padmini is mentioned to be the daughter of King Hamir Sank (Hammir Singh Chauhan) of Ceylon in this work. Tod’s version is, of course, based largely on the Bardic sources, the reliability quotient of witch could not be very high for obvious reasons. In fact, as as per history, the contemporary ruler of Ceylon was King Prakaram Bahu 1V. this, in itself, should go a long way to negate the theory of the Ceylonese origin of our national herione.

Such a hot equatorial region is least likely to be overflowing with fair ladies of class of Padmini as made out in our Hindi litrerature.

Abul Fazal and Haji-ud-Davir do not describe her as Padmini by name, but as an extraordinarily beautiful women of the Padmini class. In fact Col.Tod also write that she was bestowed with the title of Padmini because of her exquisite beauty. Her maiden name may well be different and she may have been renamed Padmini.

Our scriptures divide women into four categories as per their physical, attributes, mental attitudes and spiritual inclinations- Sankhini, Hastini, chitrni and of course, the most cherished , Padmini. This is how these classes have been comprehensively describes by Labdhodaya in his Padmini Charitra Choupai. The issue that need to be settled right now is that our Padmin could not have the Ceylonese background for several reasons. First, Cyelon is the least likely place for women of her class to be found. Secondly, Rawal Ratan singh had no time on hand to go all the way to Ceylon looking for something that could not even be likely to be found there. It is thus, reasonably clear that Ceylon got dragged in to the literature on Padmini only to add a dash of adventure to the romance of the story.

A place known as Pungal in Rajasthan itself has been traditionally famous for Padminis. Dainty-looking women of petite build and chiselled feature are even now found in some part of Rajasthan.
Gaurishankar Hirachand Ojha suggested that Padmini may have belonged to the village of Singholi, forty miles to the east of Chittor. Earlier the Amar kavya Vanshawalis had also mentioned Singoli as the place of birth of Padmini. Since the name of village rhymes well with Singhaldweep, it may have made the poets mind soar to the far away island.

Thus, if we are able to from a final view that our natinal heroine is a historic reality, then we shall also have to recocile to the fact that she did not come as a bride in to royal family of Mewar all the way form Ceylon, but from some place much nearer Chittor.

For more know about our National Heroine Padmini Buy the book “Rani Padmini, The Heroine of Chittor.”written By B.K.karkra

You can get this book online from here

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Women's Categories as per Our Scriptures

8/29/2013 1
Our scriptures divide women into four categories as per their physical, attributes, mental attitudes and spiritual inclinations- Sankhini, Hastini, chitrni and of course, the most cherished, Padmini. This is how these classes have been comprehensively describes by Labdhodaya in his Padmini Charitra Choupai.





पद्मिनी पद्म गन्धा च पुष्प गन्धा च चित्रणी|
हस्तिनी मच्छ गन्धा च दुर्गन्धा भावेत्संखणी||

A Padmini has the fragrance of a lotus and Chitrani that of a folower. A Hansini smells like fish and Sankhini carries a foul smell about her.

पद्मिनी स्वामिभक्त च पुत्रभक्त च चित्रणी|
हस्तिनी मातृभक्त च आत्मभक्त च संखिणी ||

A Padmini is atteched to her husband, Chitrani to her sons, Hastini to her mother and Sankhini to her own self only.

पद्मिनी करलकेशा च लम्बकेशा च चित्रणी |
हस्तिनी उर्द्धकेशा च लठरकेशा च संखिणी ||

Padmin has curly hair, Chitrani long hair, Hastini short hair and Sankhini rough and meshed up hair.

पद्मिनी चन्द्रवदना च सूर्यवदना च चित्रणी |
हस्तिनी पद्मवदना च शुकरवदना च संखिणी ||

Padmini’s body carries the lustre of the moon, Chitrni’s the brightness of the sun, Hastini’s the feel of the a lotus and Sankhini has a body like that of a dog.

पद्मिनी हंसवाणी च कोकिलावाणी च चित्रणी |
हस्तिनी काकवाणी च गर्दभवाणी च संखिणी ||

Padmini has the voice of a swan, chitrni that of nightingke, Hastini that a crow and Sankhini that of a donkey.

पद्मिनी पावाहारा च द्विपावाहारा च चित्रणी |
त्रिपदा हारा हस्तिनी ज्ञेया परं हारा च संखिणी ||

Padmini is used to eating very little, Chitarni consumes twice that quantity, Hastini three times and Sankhini eats an enormous amount of food.

चतु वर्षे प्रसूति पद्मन्या त्रय वर्षाश्च चित्रणी |
द्वि वर्षा हस्तिनी प्रसूतं प्रति वर्ष च संखिणी ||

Padmini procreates once in four years, Chitarni once in three, Hastini once in two and Sankhini every year.

पद्मिनी श्वेत श्रृंगारा, रक्त श्रृंगारा चित्रणी |
हस्तिनी नील श्रृंगारा, कृष्ण श्रृंगारा च संखिणी ||

Padmini likes dress up in white, Chitarni in red, Hastini in blue and sankhini in black.

पद्मिनी पान राचन्ति, वित्त राचन्ति चित्रणी |
हस्तिनी दान राचन्ति, कलह राचन्ति संखिणी ||

Padmini has a fondness for pan, i.e. stuffed betel leaf, Chitrni for mony, Hastini for alms and Sankhini derives pleasure in causing conflicts.


पद्मिनी प्रहन निंद्रा च, द्वि प्रहर निंद्रा च चित्रणी |
हस्तिनी प्रहर निंद्रा च, अघोर निंद्रा च संखिणी ||

Padmini sleeps only once a day for a few hours, Chitrni likes to sleep twice as long, Hastini thrice and Sankhini feel like sleeping all the time.

चक्रस्थन्यो च पद्मिन्या, समस्थनी च चित्रणी |
उद्धस्थनी च हस्तिन्या दीघस्थानी संखिणी ||

Padmini has rounded breasts, Chitrni proportionate ones, Hastini small ones and Sankhini long ones.
पद्मिनी हारदंता च, समदंता च चित्रणी |
हस्तिनी दिर्घदंता च, वक्रदंता च संखिणी ||

Padmini has well placed teeth in the form of a garland, Chitrni has proportionate teeth, Hastini long ones and Sankhini has staggered teeth.

पद्मिनी मुख सौरभ्यं, उर सौरभ्यं चित्रणी |
हस्तिनी कटि सौरभ्यं, नास्ति गंधा च संखिणी ||

The charm of a Padmini lies in her face, in case of Chitrni it lies in her bust. Hastini has a beautiful waistline and there is nothing charming about Sankhini.

पद्मिनी पान राचन्ति, फल राचन्ति चित्रणी |
हस्तिनी मिष्ट राचन्ति, अन्न राचन्ति संखिणी ||

Padmini is fond of Pan, Chitrni of fruit. Hastini od sweets and Sankhini of cereals.

पद्मिनी प्रेम वांछन्ति, मान वांछन्ति चित्रणी |
हस्तिनी दान वांछन्ति, कलह वांछन्ति संखिणी ||

Padmini has a desire for love, Chitrni for clout. Hastini for alms and Sankhini revels in a sitution of conflict.

महापुण्येन पद्मिन्या, मध्यम पुण्येन चित्रणी |
हस्तिनी च क्रियालोपे, अघोर पापेन संखिणी ||

Padmini belives in a high sense of piety, Chitrni has an average sense of piety. Hansini believes in worldliness and Sankhini in lowest sin.

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